May 12 – September 16, 2011
Artspace, New Haven, CT
Marie Celeste is a thematic group exhibition that uses the recent environmental phenomenon of “Colony Collapse Disorder” (CCD) or “Mary Celeste Disorder,” in which bees mysteriously disappear from their hives, as a metaphor for environmental consciousness and an exploration of the ethical sublime in our post-industrial era.
Ranging from site-specific installations to painting and photography, the diverse works in this exhibition enter a broad, polyphonic discourse on contemporary art practice and the environment that has been ongoing since the 1970s. The eleven artists participating in the exhibition ask viewers to see and think about humankind’s relationship to science and nature—both as a physical environment and an idea. Their works probe the boundaries that encompass our moral and ethical obligations to care for our surroundings, now, and in the future, and make manifest the interconnectedness of ecology and technology in the 21st century. And, while the artists in Marie Celeste explore the conflicts between individual and collective actions, preservation and transformation, production and reclamation, and notions of disenchantment and optimism, their works are created from a deeply personal artistic practice that is grounded in the production of emotional affect rather than in the production of meaning.
Artists include: Erika Blumenfeld, Stephen Bush, Nick Lamia, Jason Middlebrook, Shari Mendelson, Mayumi Nishida, Jessica Schwind, Joseph Smolinksi, Eva Struble, Tattfoo Tan, Alison Williams
Installation view: Nick Lamia Cities for our Kids’ Kids’ Kids’ Kids’ Kids’ Kids’ Kids, 2011 Mixed media Courtesy of the artist
Installation view: (L-R) Shari Mendelson, Silver Vessel, 2011; Discarded and reused plastic, aluminum foil, acrylic polymer; Courtesy of the artist; Joseph Smolinski, Disconnected Woodpecker, 2011; Graphite on paper; Courtesy of the artist and Mixed Greens, NY; Joseph Smolinski, Disconnected Snapping Turtle, 2010; Graphite on paper; Courtesy of the artist and Mixed Greens, NY; Eva Struble, Cambridge Iron I, 2010; Oil on canvas; Courtesy of the artist and Lombard Freid Projects, NY
Installation view: Jessica Schwind and Joseph Smolinski (L-R)Deadhead, 2011; Global Warning, 2011; Bees and Wasps, 2011 Archival inkjet print, acrylic, resin, and plastic bucket Courtesy of the artists
Installation view: Joseph Smolinski, Untitled Blue Whale, 2011 Mixed media on paper Courtesy of the artist and Mixed Greens, NY
Installation view: Tattfoo Tan S.O.S Greenade, 2011 Seed, soil, postcards, photographs Courtesy of the artist
Installation view: Erika Blumenfeld, Antarctica Vol. 2 (Land Ice), 2009 Digital pigment print Edition of 20
Installation view: Erika Blumenfeld, Antarctica Vol. 2 (Land Ice), 2009 Digital pigment print Edition of 20
Detail: Alison Williams, Glasshouse #3, 2010 Photo: Mia O. Photography
Installation view: (foreground) Alison Williams, Glasshouse #3, 2010 Mixed media; Courtesy of the artist; (background) Eva Struble, Bitumar Tanks, 2009 Oil on canvas; Courtesy of the artist and Lombard Freid Projects, NY Photo: Mia O. Photography
Installation view: Jason Middlebrook The Many Layers of the Arctic Owl, 2005-6 Acrylic, ink and graphite on panel Courtesy of the artist and Monique Meloche Gallery, Chicago
Installation view: Mayumi Nishida Introduction to Water, 2009 LED lights, monofilament, water, ceramic pot Courtesy of the artist Photo: Mia O. Photography
Installation view: (L) Stephen Bush, Rhodamine Mabel Bungaara, 2011 Oil and enamel on linen; Courtesy of the artist and Sutton Gallery;(Background) Tattfoo Tan, Nature Matching System, 2011; (Realized by Martha Lewis and Zachary Keeting’s Op-Art Class at the Educational Center for the Arts, New Haven) Courtesy of the artist Photo: Mia O. Photography